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“We are entirely isolated - physically, because we are wearing a mask every day, but also mentally.”ĭecades-old photos of Taesung that the artists subtly altered, shielding people’s identities, hung near the videos, and Ms.
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“The Freedom Village, itself, presents us now,” said the MMCA curator Joowon Park, who organized the show. Nediljko, and a few friends we acquired while there joined us for the final goodbye. The piece, planned before the pandemic, has taken on new resonance. He examines the specimens, secretly plants a seed and decides to don a mask and venture outside. Read books, talk to people, look at photos, enjoy art, go out, visit the landscape, sit in a village square, be in the workplace, smell the surroundings, sing songs, recite poetry, cook and eat. He is under video surveillance and fed by pouches that his computerized home delivers. Dont lose time studying the lines or where on the stage to move, Yoshi Oida San would say. On the unforgettable 5 night journey on this spacecraft used as a space station on the moon and its orbit. This spacecraft will be able to travel further and deeper than the previous manned space flights. Mysteriously, its contents appear on the second screen in a hermetically sealed high-tech chamber inhabited by a lone man. The Moon & 500,000 km in Space : A spacecraft set to open new horizons in space journeys and science. On one screen, a local man wanders through a forest, catalogs plants and sends samples aloft via balloon. Civilization has crashed humans are trying to move forward. In Morris’s universe, a man falls asleep and awakes more than a century later in a socialist utopia. William Morris’s 1890 novel, “News From Nowhere,” has served as an inspiration and a title for their work. Moon, finishing his sentence, as they often do for each other. “Moon and I don’t like to give some message to the audience,” said Mr. Such futuristic, post-disaster settings have become a recurring interest for the pair, a means for addressing contemporary issues from oblique angles. A new video will follow a man searching for survivors on a lifeboat in a post-apocalyptic, virtual reality world. That project includes the redesign, with the architect Yuji Nakae, of a dilapidated wall that shields the area from wind, sand and marine debris. Their latest show alights at the 21st Century Museum of Contemporary Art in Kanazawa, Japan, in May, and it encompasses video installations as well as an ongoing urban regeneration project in the nearby seaside village of Kanaiwa.